Portrait of Death

Three years ago, I held her pink silk toe shoe in my hand, helplessly watching the cab drive away before I could give it back to her. The next morning when I stood in front of the portrait drying on my easel, I knew the beautiful ballerina would soon die. Her portrait is one of two hundred and twenty-seven. Each one of the subjects is the victim of murder, and I've painted them all. I've kept my morbid ability a secret for twenty years, terrified someday, someone would find out. Someday has arrived, and the someone banging down my door today demanding answers is a gorgeous, irate homicide detective armed with a photo of one of my paintings right there on the front page of the most popular tabloid in the city. He peppers me with questions I can't answer, and despite my worst fears being realized, all I can think about is painting this man, alive, and with far fewer clothes on. Detective Callum Graham tells me the dead ballerina I painted is his sister, and she's been missing for three years. Missing, he says firmly, as though any other conclusion is unacceptable. My inappropriate thoughts of seeing him naked, vanish. How do I explain to this man, this brother desperate to find his baby sister alive, that she's been dead for two years, eleven months, and three weeks?