An Historical and Chronological Remembrancer of All Remarkable Occurrences, from the Creation to This Present Year of Our Lord, 1775. ... with an Alphabe

Publisher Marketing: The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Rich in titles on English life and social history, this collection spans the world as it was known to eighteenth-century historians and explorers. Titles include a wealth of travel accounts and diaries, histories of nations from throughout the world, and maps and charts of a world that was still being discovered. Students of the War of American Independence will find fascinating accounts from the British side of conflict. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Cambridge University LibraryN033345With a list of subscribers. All copies thus far seen are signed "by William Watson" beneath imprint, all in the same hand.Dublin: printed for the author [by William Watson?], 1775. 504, [12]p.; 8 Contributor Bio:  Burns, John John M. Burns john Burns initial work was as an illustrator for Junior Express and School Friend. During the 1960s, Burns worked on TV Century 21 and its sister magazines, including the Space Family Robinson series in "Lady Penelope." For a while he drew daily comics strips for newspapers The Daily Sketch, The Daily Mirror and The Sun, including The Seekers, Danielle and, for a period succeeding Enrique Romero during 1978-79, Modesty Blaise. He moved on to illustrate TV tie-in strips for now-defunct title Look-in, always scripted by Angus P. Allan, Burns was already well known by the start of the 1980s. He also worked on the title story for Countdown. It was when he made the crossover to 2000 AD, along with fellow Look-in alumni Jim Baikie and Arthur Ranson, that his position in British comics was cemented. Burns began by working on Judge Dredd, a strip to which he continues to contribute to this day. By his own admission (in a 2004 interview with David Bishop in the Judge Dredd Megazine), Burns does not enjoy drawing science fiction strips, and the look of Judge Dredd is one that he finds particularly unpleasant to draw. In 2007, Burns began working on the Nikolai Dante strip. He has also co-created (with Robbie Morrison) a contemporary adventure strip, The Bendatti Vendetta, for the Megazine, this is unique for the title in having no science fiction or fantasy elements at all. Burns is still very active as a painterly type of illustrator today.