The Diary of a Nobody

Publisher Marketing: We settle down in our new home, and I resolve to keep a diary. Tradesmen trouble us a bit, so does the scraper. The Curate calls and pays me a great compliment. My dear wife Carrie and I have just been a week in our new house, "The Laurels," Brickfield Terrace, Holloway-a nice six-roomed residence, not counting basement, with a front breakfast-parlour. We have a little front garden; and there is a flight of ten steps up to the front door, which, by-the-by, we keep locked with the chain up. Cummings, Gowing, and our other intimate friends always come to the little side entrance, which saves the servant the trouble of going up to the front door, thereby taking her from her work. We have a nice little back garden which runs down to the railway. We were rather afraid of the noise of the trains at first, but the landlord said we should not notice them after a bit, and took 2 off the rent. He was certainly right; and beyond the cracking of the garden wall at the bottom, we have suffered no inconvenience. After my work in the City, I like to be at home. What's the good of a home, if you are never in it? "Home, Sweet Home," that's my motto. I am always in of an evening. Our old friend Gowing may drop in without ceremony; so may Cummings, who lives opposite. My dear wife Caroline and I are pleased to see them, if they like to drop in on us. But Carrie and I can manage to pass our evenings together without friends. There is always something to be done: a tin-tack here, a Venetian blind to put straight, a fan to nail up, or part of a carpet to nail down-all of which I can do with my pipe in my mouth; while Carrie is not above putting a button on a shirt, mending a pillow-case, or practising the "Sylvia Gavotte" on our new cottage piano (on the three years' system), manufactured by W. Bilkson (in small letters), from Collard and Collard (in very large letters). It is also a great comfort to us to know that our boy Willie is getting on so well in the Bank at Oldham. We should like to see more of him. Now for my diary: - Contributor Bio:  Grossmith, Weedon co-author and illustrator of Diary of a Nobody published 1892Contributor Bio:  Grossmith, George George Grossmith (1847 -1912) was an English comedian, writer, composer, actor, and singer. His performing career spanned more than four decades. As a writer and composer, he created 18 comic operas, nearly 100 musical sketches, some 600 songs and piano pieces, three books and both serious and comic pieces for newspapers and magazines. Grossmith is best remembered for two aspects of his career. First, he created a series of nine memorable characters in the comic operas of Gilbert and Sullivan from 1877 to 1889, including Sir Joseph Porter, in H. M. S. Pinafore (1878), the Major-General in The Pirates of Penzance and Ko-Ko in The Mikado. Second, he wrote, in collaboration with his brother Weedon, the 1892 comic novel Diary of a Nobody. Grossmith was also famous in his day for performing his own comic piano sketches and songs, both before and after his Gilbert and Sullivan days, becoming the most popular British solo performer of the 1890s. Some of his comic songs endure today, including "See Me Dance the Polka." He continued to perform into the first decade of the 20th century. His son, George Grossmith, Jr., became a famous actor, playwright and producer of Edwardian musical comedies.