The Philosophy Of Art

The first step is not difficult. At first, and evidently, a work of art a picture, a tragedy, a statue belongs to a certain whole, that is to say, to the entire work of the artist producing it. This is elementary. It is well known that the different works of an artist bear a family likeness, like the children of one parent; that is to say, they bear a certain resemblance to each other. We know that every artist has his own style, a style recognized in all his productions. If he is a painter, he has his own coloring, rich or impoverished; his favorite types, noble or ignoble; his attitudes, his mode of composition, even his processes of execution; his favorite pigments, tints, models, and manner of working. If he is a writer, he has his own characters, calm or passionate; his own plots, simple or complex; his own dénouements, comic or tragic, his peculiarities of style, his pet periods, and even his special vocabulary. This is so true, that a connoisseur, if you place before him a work not signed by any prominent master, is able to recognize, to almost a certainty, to what artist this work belongs, and, if sufficiently experienced and delicate in his perceptions, the period of the artist's life, and the particular stage of his development.